Kyoko Aizome
- This article is about a Japanese porn star
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Kyoko Aizome (愛染 "" Aizome Kyoko) is a Japanese erotic actress, singer, AV director, and writer who has been called, "the first hard-core porn actress in Japan."
Life and career
Early life
Kyoko Aizome was born Kyoko Yamazaki on February 9, 1958 in Noda, Chiba Prefecture. Aizome grew up in a troubled household. Her father was a police officer who beat his wife, and her parents divorced about 1974, when Aizome was 16 years old. Soon after graduation from high school, Aizome was scouted in Tokyo's Shinjuku neighborhood by a photographer for nude magazines. She saw nude modeling as a stepping-stone into a career in entertainment. First taking the stage name Kyoko Aoyama, she was soon appearing in films such as director Shinya Yamamoto's Molester's Subway and "violent pink" director Yasuharu Hasebe's 1978 Nikkatsu Roman Porno, Raping! (Yaru!). She had a leading role in one of director Noboru Tanaka's major Roman Porno films, Pink Salon: Five Lewd Women (1978), based on the erotic novel, Five Licentious Women aka Five Women Who Loved Love by Ihara Saikaku. She appeared in the seventh episode of Nikkatsu's Koichiro Uno series, director Akira Kato's Koichiro Uno's Moist And Steamy (1979), and the following year she worked under director Noboru Tanaka again for his Nami (1980), the third entry in Nikkatsu's ground-breaking Angel Guts series.
Daydream
Pioneer pinku eiga director Tetsuji Takechi noticed Aizome in one of her nude photo magazine appearances. Pinku eiga, or "pink films", are the softcore genre of sex-film which dominated Japan's domestic cinema during the 1960s and 1970s. Tetsuji had made Daydream (1964), the first big-budget pink film. He chose Aizome to star in his hardcore remake of this film, also called Daydream (1981), giving the actress her leading-role debut. Japan's first theatrically released film featuring hardcore sex, Aizome added to the controversy surrounding the film by admitting to having performed actual sexual intercourse on camera. Though, as Japanese law required, sexual organs and pubic hair were fogged on screen, the Asahi Shimbun calls it Japan's first hardcore pornographic movie. By 1981, hardcore AVs (adult videos) were already starting to win over the adult entertainment audience in Japan, but the film became a hit with theatrical audiences. Uncensored copies of the film were also circulated illegally.
Aizome gained national notoriety from her status as Japan's first porn-movie superstar, comparable to the U.S.'s Linda Lovelace and Marilyn Chambers. She made her debut in the still-young AV industry in November 1981, making her one of Japan's earliest AV idols. Her name became a marketing tool and was used in the titles of such later theatrical releases as Kyoko Aizome's Somber Reminiscence (Aizome Kyoko Kareinaru Tsuioku) (1983) and Shinya Yamamoto's Kyoko Aizome's Widow's Boarding House (Aizome Kyoko no Mib"jin Geshuku) (1984).
Aizome's fame resulting from Daydream also led her to embark on a successful live-performance career in striptease which lasted until her retirement in July of 1994. While engaged in stripping, she was arrested twice in 1983 for indecent exposure. She used her jail time to review her career and re-dedicate herself to a life in adult entertainment. She also resolved to build a two-story, six-bedroom house in Chiba Prefecture, which she gave to her mother.
Takechi Tetsuji filmed Daydream for the third time in 1987, as Daydream 2 (Hakujitsumu Zoku), and again hired Aizome for the lead role. According to the Weissers, each filming of Daydream had become progressively more exploitive, with the last, imported to the United States under the title Captured For Sex having the lowest production values and focusing most on sex and a torture orgy.
After Daydream
Since Daydream, Aizome has been active in acting and directing in Japan's prolific adult video and softcore porn-movies. About 1986, in one of her more remarkable performances, Aizome had her hymen surgically restored so that it could be broken during the film. Previously a common procedure, hymen restorations went out of favor in Japan about the time of Aizome's use of it. The doctor who performed the restoration reports that the last time he did this surgery was on a couple in their 50s who, after seeing Aizome's film, wished to undergo the operation for their second honeymoon. In an article on the procedure, Aizome told Shukan Bunshun, "They strung a thread almost like a piano wire through the entrance to my vagina and pulled it like a drawstring to recreate the hymen. They give your privates a local anesthetic, so the operation itself doesn't really hurt. I really felt like a virgin again."
Aizome gained an international audience in the 1986 Traci Lords film, Traci Takes Tokyo. With her name miscredited as "Kyoko Izoma", the porn video was shot in Tokyo before Lords' scandal, and is therefore now illegal in the U.S. Her lesbian scene with Lords was reused in Beverly Hills Copulator.
She retired from regular performances in pornography in 1994 but continued to act in erotic films occasionally. She continued working behind the camera in the industry in various capacities including writing and directing. In 2001 Aizome was writing sex- and health-advice column for women in Japan, titled "Auntie Agony".
She teamed up with "AV Queen" Hitomi Kobayashi in the February 2001 theatrical release, Kyoko Aizome vs. Hitomi Kobayashi: Sexual Excitement Competition. Aizome both starred in and directed the film, which was released by Nikkatsu's post-Roman porn distributor of theatrical pornography, Excess films. An adult video starring the two actresses and also directed by Aizome followed in March. Entitled Lesbian Wives, the video had Aizome and Kobayashi playing the wives of two yakuza bosses who become engaged in a lesbian relationship. Two years later, she directed the AV Lesbian Politicians (2003), in which she also co-starred with the popular award-winning AV actress Ai Kurosawa.
After several years out of the public eye, Aizome's name was in the news again in 2007 when she was arrested for beating her niece. Aizome admitted to the allegations and was fined 500,000 yen. She explained, "I hit my niece to punish her for dating my boyfriend. But it went too far."
Selected filmography
- Pink Salon: Five Lewd Women (好色五人女 Pink Salon: Koshoku Gonin Onna) (1978)
- Angel Guts: Nami (天使美 Tenshi no Harawata: Nami) (1979)
- Koichiro Uno's Moist And Steamy (宇能鴻一郎 Uno Koichira No Atsuku Shimette) (1979)
- Daydream (白日夢 Hakujitsumu) (1981)
- Kyoko Aizome's Somber Reminiscence (Aizome Kyoko Kareinaru Tsuioku) (1983)
- Kyoko Aizome's Widow's Boarding House (愛染未亡人下宿 Aizome Kyoko no Mibojin Geshuku) (1984)
- Traci Takes Tokyo (1986)
- Daydream 2 (白日夢２ Hakujitsumu Zoku) (1987)
External links
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