Roger Ebert

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Roger Ebert
Roger Ebert-01.jpg
Ebert in 1970
Background information
Born as: Rger Joseph Ebert
Born Jun 18, 1942
Urbana, Illinois
Died Apr 4, 2013 - age  71
Chicago, Illinois
cancer of the thyroid and salivary glands
Education: University of Illinois, Urbana-Champaign
Occupation: Film critic, journalist, screenwriter, film historian, author
Years active 1967–2013
Website: https://rogerebert.com
Notable for:
Awards: Pulitzer Prize for Criticism (1975)
Ethnicity: German/Duitch-Irish

Roger Joseph Ebert (✦June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America."

Ebert was known for his intimate, Midwestern writing voice and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. While a populist, Ebert frequently endorsed foreign and independent films he believed would be appreciated by mainstream viewers, which often resulted in such films receiving greater exposure. Critic A. O. Scott wrote that Ebert's prose had a "plain-spoken Midwestern clarity" and a "genial, conversational presence on the page...his criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range, but he rarely seems to be showing off. He's just trying to tell you what he thinks and to provoke some thought on your part about how movies work and what they can do".

Starting in 1975, Ebert and Chicago Tribune critic Gene Siskel helped popularize nationally-televised film reviewing when they co-hosted the PBS show Sneak Previews, followed by several variously named At the Movies programs. The two verbally sparred and traded humorous barbs while discussing films. They created and trademarked the phrase "two thumbs up," used when both gave the same film a positive review. They regularly appeared on numerous talk shows together, including Late Show with David Letterman. After Siskel died in 1999 of a sudden illness, Ebert continued hosting the show with various co-hosts and then, starting in 2000, with Richard Roeper.

Ebert was diagnosed with cancer of the thyroid and salivary glands in 2002. He required treatment that included removing a section of his lower jaw in 2006, leaving him severely disfigured and unable to speak or eat normally. However, his ability to write remained unimpaired, and he continued to publish frequently online and in print until his death on April 4, 2013. His RogerEbert.com website, launched in 2002 and originally underwritten by the Chicago Sun-Times, remains online as an archive of his published writings and reviews while also hosting new material written by a group of critics who were selected by Ebert before his death. Richard Corliss wrote that "Roger leaves a legacy of indefatigable connoisseurship in movies, literature, politics and, to quote the title of his 2011 autobiography, Life Itself." In 2014, a documentary adaptation of Life Itself was released to positive reviews.

Early life

Roger Joseph Ebert was born on June 18, 1942, in Urbana, Illinois, the only child of Annabel (née Stumm, 1911–1987), a bookkeeper, and Walter Harry Ebert (1901–1960), an electrician. He was raised Roman Catholic, attending St. Mary's elementary school and serving as an altar boy in Urbana.

His paternal grandparents were German immigrants, and his maternal ancestry was Irish and Dutch. Ebert's interest in journalism began when he was a student at Urbana High School, where he was a sportswriter for The News-Gazette in Champaign, Illinois; however, he began his writing career with letters of comment to the science-fiction fanzines of the era. In his senior year, he was class president and co-editor of his high school newspaper, The Echo. In 1958, he won the Illinois High School Association state speech championship in "radio speaking," an event that simulates radio newscasts.

Regarding his early influences in film criticism, Ebert wrote in the 1998 parody collection Mad About the Movies:

I learned to be a movie critic by reading Mad magazine ... Mad's parodies made me aware of the machine inside the skin – of the way a movie might look original on the outside, while inside it was just recycling the same old dumb formulas. I did not read the magazine, I plundered it for clues to the universe. Pauline Kael lost it at the movies; I lost it at Mad magazine.

Ebert began taking classes at the University of Illinois at Urbana–Champaign as an early-entrance student, completing his high school courses while also taking his first university class. After graduating from Urbana High School in 1960, Ebert then attended and received his undergraduate degree in 1964. While at the University of Illinois, Ebert worked as a reporter for The Daily Illini and then served as its editor during his senior year while also continuing to work as a reporter for the News-Gazette of Champaign-Urbana, Illinois. (He had begun at the News-Gazette at age 15 covering Urbana High School sports.)

His college mentor was Daniel Curley, who "introduced me to many of the cornerstones of my life's reading: "The Love Song of J. Alfred Prufrock", Crime and Punishment, Madame Bovary, The Ambassadors, Nostromo, The Professor's House, The Great Gatsby, The Sound and the Fury... He approached these works with undisguised admiration. We discussed patterns of symbolism, felicities of language, motivation, revelation of character. This was appreciation, not the savagery of deconstruction, which approaches literature as pliers do a rose." Years later, Ebert coauthored The Perfect London Walk with Curley. One of his classmates was Larry Woiwode, who went on to be the Poet Laureate of North Dakota. At the Daily Illini Ebert befriended William Nack, who as a sportswriter would cover Secretariat.[] As an undergraduate, he was a member of the Phi Delta Theta fraternity and president of the U.S. Student Press Association. One of the first movie reviews he ever wrote was a review of La Dolce Vita, published in The Daily Illini in October 1961.

Ebert spent a semester as a master's student in the department of English there before attending the University of Cape Town on a Rotary fellowship for a year. He returned from Cape Town to his graduate studies at Illinois for two more semesters and then, after being accepted as a PhD student at the University of Chicago, he prepared to move to Chicago. He needed a job to support himself while he worked on his doctorate and so applied to the Chicago Daily News, hoping that, as he had already sold freelance pieces to the Daily News, including an article on the death of writer Brendan Behan, he would be hired by editor Herman Kogan.

Instead, Kogan referred Ebert to the city editor at the Chicago Sun-Times, Jim Hoge, who hired Ebert as a reporter and feature writer at the Sun-Times in 1966. He attended doctoral classes at the University of Chicago while working as a general reporter at the Sun-Times for a year. After movie critic Eleanor Keane left the Sun-Times in April 1967, editor Robert Zonka gave the job to Ebert. The load of graduate school and being a film critic proved too much, so Ebert left the University of Chicago to focus his energies on film criticism.

Career

Writing

Ebert began his career as a film critic in 1967, writing for the Chicago Sun-Times. That same year, he met film critic Pauline Kael for the first time at the New York Film Festival. After he sent her some of his columns, she told him they were "the best film criticism being done in American newspapers today." That same year, Ebert's first book, a history of the University of Illinois titled Illini Century: One Hundred Years of Campus Life, was published by the university's press. In 1969, his review of Night of the Living Dead was published in Reader's Digest.

Ebert was one of the first critics to champion Bonnie and Clyde, calling it "a milestone in the history of American movies, a work of truth and brilliance. It is also pitilessly cruel, filled with sympathy, nauseating, funny, heartbreaking and astonishingly beautiful. If it does not seem that those words should be strung together, perhaps that is because movies do not very often reflect the full range of human life." He concluded: "The fact that the story is set 35 years ago doesn't mean a thing. It had to be set some time. But it was made now and it's about us."

Thirty-one years later, he wrote, "When I saw it, I had been a film critic for less than six months, and it was the first masterpiece I had seen on the job. I felt an exhilaration beyond describing. I did not suspect how long it would be between such experiences, but at least I learned that they were possible." He wrote Martin Scorsese's first review, for Who's That Knocking at My Door, and predicted the young director could become "an American Fellini."

In addition to film, Ebert occasionally wrote about other topics for the Sun-Times, such as music. In 1970, Ebert wrote the first published concert review of singer-songwriter John Prine, who at the time was working as a mailman and performing at Chicago folk clubs.

Ebert co-wrote the screenplay for the Russ Meyer film Beyond the Valley of the Dolls (1970) and sometimes joked about being responsible for the film, which was poorly received on its release yet has become a cult film. Ebert and Meyer also made Up! (1976), Beneath the Valley of the Ultra-Vixens (1979), and other films, and were involved in the ill-fated Sex Pistols movie Who Killed Bambi? In April 2010, Ebert posted his screenplay of Who Killed Bambi?, also known as Anarchy in the UK, on his blog.

Beginning in 1968, Ebert worked for the University of Chicago as an adjunct lecturer, teaching a night class on film at the Graham School of Continuing Liberal and Professional Studies.

In 1975, Ebert received the Pulitzer Prize for Criticism.

In October 1986, while continuing to work for the Sun-Times and still based in Chicago, Ebert replaced Rex Reed as the New York Post chief film reviewer.

As of 2007, his reviews were syndicated to more than 200 newspapers in the United States and abroad. Ebert also published more than 20 books and dozens of collected reviews.

Even as he used TV (and later the Internet) to share his reviews, Ebert continued to write for the Chicago Sun-Times until he died in 2013.

Siskel & Ebert

Also in 1975, Ebert and Gene Siskel began co-hosting a weekly film-review television show, Sneak Previews, which was locally produced by the Chicago public broadcasting station WTTW. The series was later picked up for national syndication on PBS. The duo became well known for their "thumbs up/thumbs down" review summaries. Siskel and Ebert trademarked the phrase "Two Thumbs Up."

In 1982, they moved from PBS to launch a similar syndicated commercial television show named At the Movies With Gene Siskel & Roger Ebert. In 1986, they moved the show to new ownership, creating Siskel & Ebert & the Movies through Buena Vista Television, part of the Walt Disney Company.

After Siskel died in 1999, the producers retitled the show Roger Ebert & the Movies and used rotating co-hosts including Martin Scorsese, A.O. Scott, and Janet Maslin.

In September 2000, Chicago Sun-Times columnist Richard Roeper became the permanent co-host and the show was renamed At the Movies with Ebert & Roeper and later At the Movies.

In 2000, Ebert interviewed President Bill Clinton at The White House. Clinton spoke about his love for the movies, his favorite films of 1999, and his favorite films of all time, such as Casablanca (1942), High Noon (1952) and The Ten Commandments (1956). Clinton named Meryl Streep, Robert De Niro, and Tom Hanks as his favorite actors.

In 2005, Ebert became the first film critic to receive a star on the Hollywood Walk of Fame.

Later career

Ebert ended his association with the Disney-owned At The Movies in July 2008, after the studio indicated it wished to take the program in a new direction. On February 18, 2009, Ebert reported that he and Roeper would soon announce a new movie-review program, and reiterated this plan after Disney announced that the program's last episode would air in August 2010.

On January 31, 2009, Ebert was made an honorary life member of the Directors Guild of America. His final television series, Ebert Presents: At the Movies, premiered on January 21, 2011, with Ebert contributing a review voiced by Bill Kurtis in a brief segment called "Roger's Office," as well as featuring more traditional film reviews in the "At the Movies" format presented by Christy Lemire and Ignatiy Vishnevetsky. The program lasted one season, before being cancelled due to funding constraints and the subsequent death of Ebert.

The last review by Ebert published during his lifetime was for the film The Host, which was published on March 27, 2013. The last review Ebert wrote was for the film To the Wonder, which he gave 3.5 out of 4 stars in a review for the Chicago Sun-Times. It was posthumously published on April 6, 2013. In July 2013, a previously unpublished review of the film Computer Chess appeared on Ebert's website. The review had been written in March but had remained unpublished until the film's wide-release date. Matt Zoller Seitz, the editor for Ebert's website, confirmed that there were other unpublished reviews that would be eventually uploaded to the website. A second review, for The Spectacular Now, was published in August 2013.

Personal life

Marriage

At age 50, Ebert married trial attorney Charlie "Chaz" Hammelsmith (formerly Chaz Hammel-Smith) in 1992. He explained in his memoir, Life Itself, that he did not want to marry before his mother died, as he was afraid of displeasing her. In a July 2012 blog entry titled "Roger loves Chaz," Ebert wrote, "She fills my horizon, she is the great fact of my life, she has my love, she saved me from the fate of living out my life alone, which is where I seemed to be heading." Chaz Ebert became vice president of the Ebert Company and has emceed Ebertfest.

Alcoholism recovery

Ebert was a recovering alcoholic, having quit drinking in 1979. He was a member of Alcoholics Anonymous and had written some blog entries on the subject. Ebert was a longtime friend of Oprah Winfrey, and Winfrey credited him with persuading her to syndicate The Oprah Winfrey Show, which became the highest-rated talk show in American television history.

Politics

A supporter of the Democratic Party, Ebert publicly urged leftist filmmaker Michael Moore to give a politically charged acceptance speech at the Academy Awards: "I'd like to see Michael Moore get up there and let 'em have it with both barrels and really let loose and give them a real rabble-rousing speech." During a 1996 panel at the University of Colorado Boulder's Conference on World Affairs, Ebert coined the Boulder Pledge, by which he vowed never to purchase anything offered through the result of an unsolicited email message, or to forward chain emails or mass emails to others. Ebert endorsed Barack Obama for re-election as president in 2012, citing the Affordable Care Act as one important reason for his support of Obama. However, he was also sympathetic to Ron Paul, noting that he "speaks directly and clearly without a lot of hot air and lip flap". During a review of the 2008 documentary I.O.U.S.A., he credited Paul with being "a lonely voice talking about the debt", proposing based on the film that the US government was "already broke".

Beliefs

Ebert was critical of intelligent design, and stated that people who believe in either creationism or New Age beliefs such as crystal healing or astrology should not be president. Ebert expressed disbelief in pseudoscientific or supernatural claims in general, calling them "woo-woo," though he argued that reincarnation is possible from a "scientific, rationalist point of view."

Discussing his beliefs, in 2009, Ebert wrote that he did not "want to provide a category for people to apply to [him]" because he "would not want [his] convictions reduced to a word," and stated, "I have never said, although readers have freely informed me I am an atheist, an agnostic, or at the very least a secular humanist – which I am." He wrote of his Catholic upbringing: "I believed in the basic Church teachings because I thought they were correct, not because God wanted me to. In my mind, in the way I interpret them, I still live by them today. Not by the rules and regulations, but by the principles. For example, in the matter of abortion, I am pro-choice, but my personal choice would be to have nothing to do with an abortion, certainly not of a child of my own. I believe in free will, and believe I have no right to tell anyone else what to do. Above all, the state does not." He wrote "I am not a believer, not an atheist, not an agnostic. I am still awake at night, asking how?[a] I am more content with the question than I would be with an answer."

He wrote that "I drank for many years in a tavern that had a photograph of Brendan Behan on the wall, and under it is this quotation, which I memorized: 'I respect kindness in human beings first of all, and kindness to animals. I don't respect the law; I have a total irreverence for anything concerned with society except that which makes the roads safer, the beer stronger, the food cheaper and the old men and the old women warmer in the winter and happier in the summer.' For 57 words, that does a pretty good job of summing it up." Summarizing his beliefs, Ebert wrote:

"I believe that if, at the end of it all, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out."

Roger Ebert, Life Itself: A Memoir

Health

In early 2002, Ebert was diagnosed with papillary thyroid cancer which was successfully removed in February 2002. In 2003, he underwent surgery for cancer in his salivary gland, which was followed up by radiation therapy. He was again diagnosed with cancer in 2006. In June of that year, he had surgery to remove cancerous tissue in the right side of his jaw. A week later he had a life-threatening complication when his carotid artery burst near the surgery site. He was confined to bed rest and was unable to speak, eat, or drink for a time, necessitating the use of a feeding tube.

The complications kept Ebert off the air for an extended period. Ebert made his first public appearance since mid-2006 at Ebertfest on April 25, 2007. He was unable to speak, instead communicating through his wife. He returned to reviewing on May 18, 2007, when three of his reviews were published in print. In July 2007, he revealed that he was still unable to speak. Ebert adopted a computerized voice system to communicate, eventually using a copy of his own voice created from his recordings by CereProc. In February 2010, Chris Jones wrote a lengthy profile of Ebert and his health in Esquire. In March 2010, his health trials and new computerized voice were featured on The Oprah Winfrey Show. In 2011, Ebert gave a TED talk assisted by his wife, Chaz, and friends Dean Ornish and John Hunter, called "Remaking my voice". In it, he proposed a test to determine the realism of a synthesized voice.

Ebert underwent further surgery in January 2008 to try to restore his voice and address the complications from his previous surgeries. On April 1, Ebert announced his speech had not been restored. Ebert underwent further surgery in April 2008 after fracturing his hip in a fall. By 2011, Ebert was using a prosthetic chin to hide some of the damage done by his many chin, mouth, and throat surgeries.

In December 2012, Ebert was hospitalized due to the fractured hip, which was subsequently determined to be the result of cancer.

Regarding his loss of eating, Ebert wrote that what was sad was "The loss of dining, not the loss of food. It may be personal, but for me, unless I'm alone, it doesn't involve dinner if it doesn't involve talking. The food and drink I can do without easily. The jokes, gossip, laughs, arguments and shared memories I miss. Sentences beginning with the words, 'Remember that time?' I ran in crowds where anyone was likely to break out in a poetry recitation at any time. Me too. But not me anymore. So yes, it's sad. Maybe that's why I enjoy this blog. You don't realize it, but we're at dinner right now."

Death

Four years before his death, Ebert wrote:

I know it is coming, and I do not fear it, because I believe there is nothing on the other side of death to fear. I hope to be spared as much pain as possible on the approach path. I was perfectly content before I was born, and I think of death as the same state. What I am grateful for is the gift of intelligence, and for life, love, wonder, and laughter. You can't say it wasn't interesting. My lifetime's memories are what I have brought home from the trip. I will require them for eternity no more than that little souvenir of the Eiffel Tower I brought home from Paris.
One of these days I will encounter what Henry James called on his deathbed "the distinguished thing." I will not be conscious at the moment of passing. In this life I have already been declared dead. It wasn't so bad. After the first ruptured artery, the doctors thought I was finished. Chaz said she sensed that I was still alive and communicating to her that I wasn't finished yet. She said our hearts were beating in unison, although my heartbeat couldn't be discovered. She told the doctors I was alive, they did what doctors do, and here I am, alive.
Do I believe her? Absolutely. I believe her literally—not symbolically, figuratively or spiritually... I'm not talking about telepathy, psychic phenomenon, or a miracle. The only miracle is that she was there when it happened, as she was for many long days and nights. I'm talking about standing there and knowing something. Haven't many of us experienced that? Come on, haven't you? What goes on happens at a level not accessible to scientists, theologians, mystics, physicists, philosophers or psychiatrists. It's a human kind of thing.
Someday, I will no longer call out, and there will be no heartbeat. I will be dead. What happens then? From my point of view, nothing. Absolutely nothing. All the same, as I wrote to Monica Eng, whom I have known since she was six, "You'd better cry at my memorial service."

On April 4, 2013, Ebert died at age 70 at a hospital in Chicago, shortly before he was set to return to his home and enter hospice care.

Then-President Barack Obama wrote, "For a generation of Americans - and especially Chicagoans - Roger was the movies... [he could capture] the unique power of the movies to take us somewhere magical. ... The movies won't be the same without Roger." Martin Scorsese released a statement saying, "The death of Roger Ebert is an incalculable loss for movie culture and for film criticism. And it's a loss for me personally... there was a professional distance between us, but then I could talk to him much more freely than I could to other critics. Really, Roger was my friend. It's that simple." Steven Spielberg stated that Ebert's "reviews went far deeper than simply thumbs up or thumbs down. He wrote with passion through a real knowledge of film and film history, and in doing so, helped many movies find their audiences... [He] put television criticism on the map." Numerous filmmakers and actors paid tribute include Christopher Nolan, Oprah Winfrey, Steve Martin, Albert Brooks, Jason Reitman, Ron Howard, Darren Aronofsky, Cameron Crowe, Werner Herzog, Howard Stern, Steve Carell, Stephen Fry, Diablo Cody, Anna Kendrick, Jimmy Kimmel, and Patton Oswalt.

Michael Phillips of the Chicago Tribune recalled that "I came late to film criticism in Chicago, after writing about the theater. Roger loved the theater. His was a theatrical personality: a raconteur, a spinner of dinner-table stories, a man who was not shy about his accomplishments. But he made room in that theatrical, improbable, outsized life for others." Andrew O'Hehir of Salon wrote that "He's up there with Will Rogers, H. L. Mencken, A. J. Liebling and not too far short of Mark Twain as one of the great plainspoken commentators on American life." The Onion paid tribute to Ebert: "Calling the overall human existence 'poignant,' 'thought-provoking,' and 'a complete tour de force,' film critic Roger Ebert praised existence as 'an audacious and thrilling triumph.'...'At times brutally sad, yet surprisingly funny, and always completely honest, I wholeheartedly recommend existence. If you haven't experienced it yet, what are you waiting for? It is not to be missed.' Ebert later said that while human existence's running time was 'a little on the long side' it could have gone on much, much longer and he would have been perfectly happy."

Hundreds of people attended the funeral Mass held at Chicago's Holy Name Cathedral on April 8, 2013, where Ebert was celebrated as a film critic, newspaperman, advocate for social justice, and husband. Father Michael Pfleger concluded the service with "the balconies of heaven are filled with angels singing 'Thumbs Up' ".

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