Theatrical blood

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Revision as of 11:22, 1 February 2025 by Robinr78 (talk | contribs) (Created page with "{{Header|Theatrical blood 01/25}} '''Theatrical blood, stage blood''' or '''fake blood''' is anything used as a substitute for blood in a theatrical or cinematic performance. For example, when a director needs to simulate an actor being shot or cut in the special effects industry, various chemicals and natural products can be used. The most common is red food coloring, often inside small balloons coupled with explosive devices called squibs. == Reasons for use == There...")
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Theatrical blood, stage blood or fake blood is anything used as a substitute for blood in a theatrical or cinematic performance. For example, when a director needs to simulate an actor being shot or cut in the special effects industry, various chemicals and natural products can be used. The most common is red food coloring, often inside small balloons coupled with explosive devices called squibs.

Reasons for use

There are many reasons for substituting stage blood for real blood in the film industry, such as ethical and sanitary concerns and concerns for the emotional well-being of the actors. Also, actual blood's tendency to coagulate and solidify quickly makes it unsuitable for repeated takes without freshening; the longer-lasting viscosity of stage blood makes it far easier to work with on the set.

Typical recipe

Fired squibs on a costume, spilling fake blood containing water, cherry sauce, red food coloring, and an opacifier.

Fake blood generally consists of some or all of the following in various ratios (some ingredients render the solution inedible):

  • Primary ingredients ==
Red food coloring as the main color
Water as the base
Secondary ingredients
  • Color modifiers
Blue and yellow food coloring to darken the hue. Opacifiers, such as titanium dioxide, render blood opaque.
  • Viscosity enhancers
Thickening agents, such as corn starch, flour, or xanthan gum, which require heating and may also act as an opacifier
Corn syrup (or plain syrup)
Tomato ketchup, chocolate syrup, and cherry or strawberry topping sauce, which also add solid 'chunks' to the texture and deepens the red
Glycerine provides a glossy, wet appearance
  • Other additives
Dishwashing liquid, powder or laundry detergent to prevent the blood from beading and staining
Preservatives such as sodium benzoate if the solution is to be stored for some time
Most recipes may cause staining, so they should be tested in advance and the wardrobe washed promptly after use.

In the 1960 film Psycho, Bosco Chocolate Syrup was used as fake blood. Since the film was black and white, color was less important than consistency.

Kensington Gore

"Kensington Gore" (a pun on the London place and street) was a trademark for fake blood used in films and theatre. It was manufactured by a retired British pharmacist, John Tinegate or Tynegate, during the 1960s and 1970s in the village of Abbotsbury, Dorset. Many varieties of blood, having various degrees of viscosity, shades and textures, were available. Since Tinegate's death, "Kensington Gore" has become a generic term for stage blood. Kensington Gore was used in the film The Shining.

Other uses

Theatrical blood has other applications apart from its use in the film industry.

  • The crime scene investigation science of bloodstain pattern analysis uses stage blood or sometimes cow's blood in mock-up crime scenes when training new investigators.
  • The art of moulage involves applying theatrical blood to mock injuries to train emergency response teams and other medical and military personnel.
  • Theatrical blood is also popularly used in Halloween costumes and haunted attractions such as haunted houses to portray injury, shot/stab wounds or special effects looks for cosmetic entertainment. It is also used in certain horror-themed live-action role-playing games.


Cinematic techniques articles
Shooting
Field size Wide / Long / Full * American * Medium * Close-up * Italian * Two shot
Camera placement Perspective * Over-the-shoulder * Point-of-view (POV) * Reverse * Trunk * Single-camera setup * multiple-camera setup
Camera angle Tilt * Aerial * High-angle * Bird's- eye * Crane shot * Jib shot * Low-angle * Worm's-eye view * Dutch angle
Camera movement Unchained camera technique * Tilting * Panning * Whip pan * Hand-held * Shaky * Tracking * Dolly * Steadicam * SnorriCam * Walk and talk * Follow * Dolly zoom
Lens effects Racking * Depth of field * Shallow * Deep * Zooming
Special effects
Practical Aerial rigging (wire-flying) * Air bladder effect * Animatronics * Bullet hit squib * Costumed character * Creature suit * Dead-character costume * Kitbashing * Miniature effect (hanging) * Prosthetic makeup * Puppetry * Pyrotechnics * Matte painting * Sugar glass * Theatrical blood
In-camera Bipacks * Bullet time * Dolly zoom * Forced perspective * Front projection * Infrared photography * Lens flares * Lighting effects * Multiple exposure * Filtration * Rear projection * Reverse motion * Schüfftan process * Shutter effects * Slit-scan * Tilted plane focus * Time-lapse * Fast motion * Slow motion * Speed ramping
Visual Chroma key * Compositing (digital) * Computer-generated imagery * Go motion * Introvision * Match moving * Optical printing * Smallgantics * Split screen * Stop motion

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