Sandra Giles

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Sandra Giles

Information from http://www.sandragiles.com/ website Updated: 2001

"From Hooker To Hollywood": By Michael Piller

Sandra Giles

Actress, Born Lelia Bernice Giles, on a July day in Hooker, Oklahoma. She was used to hard living. She’d been on the road since she was twelve when she’d run away from her home in San Antonio. Her father had gone to jail for molesting her. Her mother waited tables all night and slept all day. After Bernice and her sister were sent to foster homes, she just took off. She signed up with an outfit that recruited teenagers to sell magazines door to door. She told them she was eighteen and she looked it. A few years later, when her mother, now divorced moved to Anaheim, Bernice hitchhiked across the country to be with her.

An annulled marriage to another man who was only around long enough to teach her to jitterbug. And a desperate need to make some decent money. With a sixth-grade education, she didn’t have many qualifications. Her mother considered her assets made her a skin-tight gray silk dress and Sandra went out to find work. She didn’t come to Hollywood to be a star…she came to Hollywood to be with her mother.

Her search had ended satisfactorily at the Canters Deli. She was still working there when press agent Shelly Davis discovered her. Davis was handling p-r for the opening of the Fremont Hotel in Las Vegas and needed a good-looking gal for a stunt. He first offered it to a buxom blonde named Juli Reding who worked as a receptionist in an adjoining office. Juli wasn’t available – she’d just been picked to be one of the Mermaids at Marineland. So she told Davis about Bernice, a new friend she’s met at the Clairol booth at a trade show. They’d both been hired to get their hair colored as part of a sales pitch.

“All you gotta do is get mad," Davis told Bernice. A huge painting had been commissioned to hang in the lobby of the hotel. Bernice would pose, lounging on a pool chair in a swimsuit. At the grand opening, the painting would be unveiled and it would look exactly as Bernice had posed except there would be no swimsuit. Davis: “And then you say, “I didn’t pose that way. I was in a swimming suit. I don’t want to be Marilyn Monroe. I’m an actress." And as people tried to console her, she hauled off and unexpectedly slapped the shocked artist as a dozen cameras flashed.

Making the Herald-Examiner was a given, but the photo made the front page of the Los Angeles Times and then the wire services. As the model "sued" the hotel, for weeks the press followed the saga of the poor, victimized actress who had been stripped naked and humiliated in public. She finally settled the suit for 25-thousand dollars. It was paid at a news conference in silver dollars.

An agent signed her. Introduced her to the head of Paramount Pictures. And hired her to model furs for a sponsor of a nightly live television show hosted by Tom Duggan on KCOP, Channel 13. Shelly Davis knew he had something special with this girl… another Jayne, maybe even another Marilyn… but she needed a new name: ‘Bernice’ wasn’t going to work. They picked ‘Sandra’, the origin is unclear. Sandra says it came from her sandy hair color. But the story is told in family circles that Bernie had always liked the sound of her daughter’s name. Her little girl was the first Sandra Giles and then her mother took the name herself.

In fact, her pictures were the definition of "peek-boo". You hold one in your hands and without realizing you start turning it slowly, slanting it, hoping that coming at it from a new angle might reveal what you can’t quite see and then you glance at her eyes in the picture and they’re laughing at you…not in any demeaning way, but with an innocent, ’caught yak’ kind of sparkle.

“Sandra was one of the most beautiful young women in this town and that was at a time when the town was filled with charming, beautiful ladies," says producer AC Lyle who later cast her in his western “BLACK SPURS". “She had that wonderful appeal for all the guys but she didn’t intimidate the women. She had the same innocence as Marilyn. She didn’t look like she would go after someone’s husband. And she had this great gift for publicity – hardly without even trying – it just seemed to come to her."

The plan was to steal the premiere of "TEACHER’S PET". Life magazine had been talking about doing a story on Sandra. A big stunt at the premiere would put it over for sure. It was raining that night and that was the worst possible luck because if the dammed thing got wet the whole stunt would turn ludicrous. They kept it under cover until the very last minute. Then, Davis led off the side street into the snarled traffic on Hollywood Boulevard approaching Graumann’s Chinese Theater. He signaled the cops who knew him. They made an avenue for her toward the klieg lights. The first photographer who saw her was the guy from Life magazine who’d been tipped off in advance. And so he started flashing her pictures, the others followed, turning away from Clark Gable and Doris Day to photograph a blonde bombshell driving a pink fur ball coupe. That’s what it looked like – a Pink 1957 Thunderbird coupe, with its roof off, covered with fur. Not just inside, but outside too. The seats, the carpet, the dash, the sides, the chrome, the tires, everything. At the center of this movable pink fur nest sat Sandra Giles, waving and smiling in along pink chinchilla dress with a black muff.

Biography

Born on 24 July 1932 in Hooker, Oklahoma, and raised in San Antonio, Sandra Giles migrated to Los Angeles at 18 years of age. She spent four years studying her acting craft skills with Richard Brander, Charles Conrad, and Jeff Corey learning everything she could from the best dramatic coaches available. Once she felt secure in her craft she started working on daytime television as a girl Friday co-hostess and commercial representative.

Following a year of this Sandra started working in dozens of TV shows, including ABC series "Sweepstakes," "Quincy," "Colombo," "Get Christie Love," "Adam12," "The Odd Couple," three segments of "The Rogues," and "Burke's Law," She appeared on the "Land of The Giants," and has been on the "Steve Allen Show". Her television work includes "Crisis in Mid-Air" and "Are You In the House Alone," both CBS Movies of the Week.

In motion pictures Sandra has been seen in "Last of The Red Hot Lovers," "The Mad bomber," McClintock," "Black Gun," "Flare-Up," and "It Happened at The World's Fair," among others.

On stage, she co-starred with Don Knotts in "Last of the Red Hot Lovers," and played Caesar's Palace with Mickey Rooney and Tony Randall in "The Odd Couple." She co-starred with Bob Crane in "Beginner's Luck" and played in "Death Of A Salesman" at the Call Board Theatre with David Canary and Henry Beckman. For relaxation, she enjoys tennis, horseback riding, bicycle riding, motorcycle riding, snow skiing. She is 5'5" tall, 124 lbs. is a blonde with brown eyes, and she loves to dance.

Life Magazine featured a 3-page spread of Sandra Giles titled “The Blond From Hooker / How to become a Movie Star". She shared three pages with several other stars in a Bubble Bath Shower photo.

Michael Piller

Michael Pillers is Sandra Giles's daughter Sandra. Known in show business as Sandra Piller, she is an accomplished Bluegrass singer).

Michael went to school in New York before taking a creative writing course. The professor for this course told everyone, "There are enough bad writers out there. There needn't be any more". Michael recalls that the professor would rip up his writing and he would be so broken-hearted. This professor eventually chased him into journalism where Michael won two Emmys for his work as a news producer. Michael went back to New York for a few years before seeing a "Chorus Line" show and deciding to pursue his writing career. He originally came back to Los Angeles as a censor for CBS in the late seventies. He eventually started writing spec scripts for such TV series as "Simon & Simon" (1981) and "Cagney & Lacey" (1982) before landing a role as a producer on "Simon & Simon" (1981). He worked his way through the producer ranks and jumped from series to series before being called in by long-time friend Maurice Hurley who was, at the time, writing and producing episodes of "Star Trek: The Next Generation". Michael wrote a few episodes for season three (1989-90) before becoming a full-fledged Executive Producer. Instead of the old science fiction formula which worked on the original series, he made "Star Trek: The Next Generation" more about the characters and less about the cool gadgets of the future. In 1992, Piller and Rick Berman (who was also Executive Producer) decided to create a new series based in the Star Trek Universe. Thus, "Star Trek: Deep Space Nine" (1993) was created. Piller oversaw the writing, casting, budget, etc. for two seasons before Paramount called him in again to create a new series after the cancellation of "Star Trek: The Next Generation" in 1994. "Star Trek: Voyager" (1995) was born into the television universe as the flagship for the new United Paramount Network (UPN) and has since remained. Piller left Voyager in 1996 after nine years of working in the Star Trek franchise. He created the ill-fated but critically-acclaimed western for UPN called, "Legend" (1995) starring Richard Dean Anderson and John de Lancie. Also in 1996, Piller successfully sold his first feature film script entitled, "Oversight" (1998). Sydney Pollak has been hired to direct and the movie should be out sometime in 1998. Piller has also been slated to pen the ninth installment of the Star Trek movies.